Monday, September 28, 2009

Telepathy and Literature - Excerpts from 'Southern comfort' by Hugo Chiarella and Jason Childs

"Join Agatha McChristie, landowner, trollop and independent woman, along with a cast of charming, colourful characters, on an odyssey of chance and self-discovery through America's rich history and vast countryside.

From the fall of the Confederate army to the Emancipation Proclamation; from the Great Chicago Fire of 1871 to the fateful, final performance of the legendary John Wilkes Booth; from the treacherous Injin tribes of the Wapatoke Plain to the burgeoning gangster culture of the turn-of-the-century midwest; from love to hate, through failure and triumph, and all the way across the many ages, there has been only one true salve for the American soul...

Southern Comfort."


- Hugo Chiarella and Jason Childs

Southern Comfort is  work of pulp historiographical metafiction co-authored by myself and Jason Childs. 
"Historiographic metafiction is one kind of postmodern novel which rejects projecting present beliefs and standards onto the past and asserts the specificity and particularity of the individual past event. It also suggests a distinction between 'events' and 'facts' that is one shared by many historians. Since the documents become signs of events, which the historian transmutes into facts, as in historiographic metafiction, the lesson here is that the past once existed, but that our historical knowledge of it is semiotically transmitted. Finally, Historiographic metafiction often points to the fact by using the paratextual conventions of historiography to both inscribe and undermine the authority and objectivity of historical sources and explanations." (122-123, Linda Hutcheon).

The work began its life as a Facebook group two years ago and was published bi-weekly in serial form. Members would be updated as new chapters were added and previous chapters were posted up as notes to the new reader. As the work grew quite considerably in length and in scope it became necessary to allow more time between chapters. Now each chapter is a sort of min-novella posted up every six or so months. The three volume novel is nearing the completion of its second volume. 

The following excerpts are presented here as demonstrations of how the novel exemplifies and explores themes and ideas of telepathic transference. Firstly, and perhaps most significantly, the medium of the online serial itself acts as a process of  telepathic transference. As J. Hillis Miller writes, "The Medium works on its own, performatively, in a unique way in each case, to bring something about, to make something happen. It makes." There are however, various and more nuanced examples of how this work and many others employ processes of telepathic transference between the author, the work itself and the reader.

PROLOGUE

For all its literary parody and mock grandiosity, this prologue acts as a kind of telepathic medium through its use of metaphor. Miller writes, "with all forms of telepathy, traditional, modern, or postmodern, it is always a question of transferring spirit to some form of matter that can then be read as comprehensible signs and turned back into spirit, that is, "meaning". " In the case of the 'Southern Comfort' Prologue I have taken the  metaphor of the Mississippi River and turned it into an intricate, if slightly long winded metaphor for the spirit and character of America and the American people.

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To the Clearwater County of Minnesota the New Year brings a covering of snow that hardens and sets through the winter months. The black volcanic rock jutting out across the iron range all but disappears. The Bobcat and Pine Marten find shelter in the hollow husks of perished Redwoods. The Elk and the Bison head west across the outwash plains in search of the last remnants of vegetation. The Timber Wolves leave the cover of the Broadleaf forest and scour the back alleys of the white ghost towns, scavenging for scraps. At the edge of the Chippewa prairie the horizon is washed into a great blanket of white. All sense of perspective is lost. Land and sky become one, enveloping life in whiteness. The earth seems to surrender all hope of rejuvenation.

By April the sun returns. A bright blue spills through the white sky and trickles out across the horizon. The pine and spruce trees dot their branches with greenery. The rivers thaw. The lakes teem with Walleye, Bass, Muskellunge and Northern Pike. The Whitetail Deer frolic in the Broadleaf. The iron ranges begin to shed their skin from the bottom up and from every height, water drips. It snakes its way down from Eagle Mountain, through the rolling peneplain, where it finally comes to rest in Lake Itsica, the fountainhead of the Mississippi River, the lifeblood of America.

Like all great journeys, the Mississippi’s first steps across America are made with nervousness and trepidation. She meanders her way gently through Minnesota, into the city of St. Cloud, The Granite City. Her journey has been a private one till this point. When she reaches St. Cloud people begin to ask things of her. Steamboats dock on her banks; industries rest their profitability on the ebb and flow of her waters. Great slabs of reinforced concrete are placed across her path. They harness her gentle energy and redistribute it among the city. She fractures into a series of disparate channels twisting and fizzling away from each other, but one stream remains. She continues to travel, regain her strength. She hits Minneapolis. The energy and vibrancy of the big city invigorates her. She grows, she flourishes. She flows ‘neath bridges, she turns mills, Minneapolis summons her energy and she alone powers a great city.

On she flows. Through Red Wing, Winona, La Crosse, Dubuque. She passes Wisconsin and cuts a line through Iowa and Illinois, swerving her way through Clinton, Davenport, Galesburg and Quincy. The large hardwood forests that once trotted along side her tire and surrender their journey, giving way to low rugged hills of dappled Conifer.  And on she flows.

She rolls her way into Missouri and cradles the great city of St Louis in her motherly curves. Laclede’s Landing clings to her side and sprouts a teeming metropolis on her shores.  She spawns offspring. She sends the Missouri river shooting out to the west, spreading her tentacles through Kansas, and Omaha. Up through Nebraska, South Dakota and North Dakota she travels before petering out through the dry heart of America. Splaying into a capillarous network of a thousand streams and lakes that multiply across Montana, Idaho and Washington and trickle through the western states.

To the east she births the Ohio River into Kentucky, spreading her generous waters through Louisville, Cincinnati, West Virginia, Pittsburgh and Pennsylvania. She etiolates and reforms again, spreading her fingers up the east coast; Philadelphia, New York, Connecticut, Massachusetts, Boston, Maine. She reaches, she surges, she spreads her life across the face of the nation. And on she flows, the arterial heart of the nation, forging her path to the south. She dances through Tennessee, she catches Memphis in her stride, past Arkansas, Mississippi, Alabama, Georgia, Texas, Louisiana. She hears a sound. She moves to a calling. Her bends and sways seem to groove in time with a distant beat. She jives and jitterbugs past Baton Rouge. She syncopates and swings southwards and as she turns that final bend, music fills the air around her. New Orleans, the city of Jazz. Her final resting place before she scarpers away into the Gulf of Mexico. She fills the streets of New Orleans with verve and vibrancy that is electric. It is the culmination of all she has collected on her way. The life force of America distilled in a music that sends a shockwave back through the great nation that has borne it.

The Mississippi has done her work. She stretches out her arms and washes away into obscurity, content in the knowledge that for just a minute, she drove a nation. She passed through a hundred cities, a thousand towns, she powered mills, generated energy and now she is but a drop in an ocean. This is the story of America. This is the journey of American Man; each serving his purpose, each making his mark, each a shepherd, poet, soldier, statesman and king in his time. 

SOUTHERN COMFORT - BY HUGO CHIARELLA AND JASON CHILDS
This work is protected by copyright and cannot be reproduced or distributed in whole or in part without the express written permission of its authors. Hands off the stardust, buddy!

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